Woodcarving Explained

Since prehistoric times, mankind has been interpreting the world in which he lives by painting, modelling or carving and wood has always been one of the available materials. However, the fact that wood decays with time has meant that a smaller percentage of wooden artifacts has reached us in the 21st century than those of stone or bone.

Carving differs from modelling in that the material is taken away rather than applied. In its purest form, the whole image is released from the material by taking away that which surrounds it. (Michaelangelo's 'Unfinished Slaves' give an insight into the removal process).

In three dimensional carving there are an infinite number of viewing positions all of which have to be taken into consideration. In relief carving, there are less view points and the shallower the carving, the greater the dependence on illusionistic drawing.
Photo shows Mark carving Kemps Men in Chapelfield Gardens, Norwich

Wood suitable for carving is a sustainable source of material. A tree might reach maturity between 60 and 150 years and any carver of wood should be concerned with planting at least as many trees as he uses in a lifetime. The best trees will always be the ones that are
nurtured and cared for. (it is said that anyone who plants trees loves others besides himself)

Compare this with the fact that stone takes millions of years to form and is not sustainable and the wanton waste of stone within the construction industry. Each piece of wood is unique and this can give pleasure as well as frustration. Some woods are more uniform than others and some will weather outdoors better than others.

However, a finished wood sculpture will radiate a warmth to the touch and many of my sculptures have been worn smooth by the touch of many hands.